Finally, there’s a simple onboard mixer and a three-parameter reverb which sounds classier and is more flexible than I was expecting. There’s also a very fine formant shifter, which is independently usable in its own right, and some parameters for fine-tuning the nature of the morph. There’s a choice of five processing algorithms: three of them sound very different from each other, and the other two provide low-latency alternatives. Then, the central X-Y field and its ‘scope’ handle let you explore combinations of those inputs with varying degrees of what you might call ‘integration’. You basically direct two audio sources at it, which can be recorded audio, virtual instruments, live inputs, whatever. However, I did all my testing in Studio One (which does happen to have stereo side-chains), and found it all perfectly straightforward.
PROSONIQ ORANGE VOCODER TORRENT PDF
The PDF manual is helpful in this respect, providing setup instructions for Logic Pro X, Pro Tools, Live, Cubase/Nuendo and DP. It’s good if your mixer supports stereo side-chains, and you can use the ‘SC’ version if not, you might need to set it up on a multi-channel bus.
PROSONIQ ORANGE VOCODER TORRENT UPGRADE
The new owners have very obligingly provided an upgrade path for Prosoniq customers, and continued to add new features to the plug-in, so it seems to be in good hands.Īfter making the small download and activating an iLok authorisation (a dongle-free computer activation is available), the toughest bit of getting going with Morph is establishing which version of the plug-in is the best fit for your DAW. Morph was originally developed more than 10 years ago, by Prosoniq (of Orange Vocoder and sonicWORX fame), but passed to Zynaptiq when Prosoniq went into liquidation in 2013. It’s a fascinating processor, and luckily the results are generally more thriller than horror. But what if you could merge the DNA of two different sounds instead? That’s what Zynaptiq’s Morph is all about. Merging two different creatures didn’t work out so well for Jeff Goldblum and co in The Fly.
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